000			03750cam a2200469 i 4500
999			_c130043 _d130447
001			130043
003			ES-MaFOS
005			20250618110440.0
007			ta
008			250613s2022 ncua b 001 0 eng
020			_a9781478018407
040			_aNcD/DLC _beng _erdc _cDLC _dDLC _dES-MaFOS
043			_an-us---
080			_a78
080			_a314
082	0	0	_a323.092 _223/eng/20211230
100	1		_aWallace, Maurice O _9102225
245	1	0	_aKing's vibrato : _bmodernism, blackness, and the sonic life of Martin Luther King Jr. / _cMaurice O. Wallace.
264		1	_aDurham : _bDuke University Press, _c2022.
300			_axiii, 352 pages : _billustrations ; _c24 cm
504			_aIncluye referencias bibliográficas (p. 325-342)
505	0		_aPart I - Architectures of the Incantatory -- Dying Words: The Aural Afterlife of Martin Luther King Jr. -- Swinging the God Box: Modernism, Organology, and the Ebenezer Sound -- The Cantor King: Reform Preaching, Cantorial Style and Acoustic Memory in Chicago's Black Belt -- Part II - Nettie's Nocturne -- King's Gospel Modernism -- Four Women: Alberta, Coretta, Mahalia, Aretha -- Part III - Technologies of Freedom -- King's Vibrato: Visual Oratory and the "Sound of the Photograph" -- Dream Variations: "I Have a Dream" and the Sonic Politics of Race and Place -- "It's Moanin' Time": Black Grief and the End of Words.
520			_a"King's Vibrato explores the sonic power of preaching and speech-making in the life and career of Martin Luther King Jr. It offers up a cultural and historical reading of what regularly passes uncritically as the unique preaching power of one who "spoke with the tongues of men and of angels," but which depends (in both predictable and surprising ways) on an acoustic calculus involving, but not reducible to, architecture, instrumentation, audience, and technology in oratorical performativity. Together, the acoustical considerations of ecclesial architecture in the US since 1900, the regular furnishing of aspirational African American church buildings with pipe organry, and African Americans' special relationship to speech and song created the conditions for that unique vibrato effect in King's voice with which he moved the world. In more general terms, King's Vibrato is a cultural history and critical theory of the black modernist soundscapes, North and South, that helped produce the vocal timbre and time signature of the preacher King"-- _cProvided by publisher.
600	1	0	_aKing, Martin Luther _929269
650		4	_aAntropología cultural y social _9572
650		4	_aLiteratura afro _999890
650		4	_aCiencias sociales _91705
650		4	_aReligion _99246
650		4	_aMúsica _97216
650		4	_aSociología _99846
650		4	_aLengua inglesa _96150
776	0	8	_iOnline version: _aWallace, Maurice O. (Maurice Orlando), 1967- _tKing's vibrato _dDurham : Duke University Press, 2022 _z9781478022992 _w(DLC) 2021044936
942			_2udc _cLBA