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008			241016s2004 nyuao erbc 001 0deng d
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080			_a791 Waters, John (083.824)
100	1		_aWaters, John _958409
245	1	0	_aJohn Waters : _bchange of life / _cexhibition co-curated by Marvin Heiferman and Lisa Phillips ; with contributions by Marvin Heiferman ... [et al.]
260			_aNew York : _bHarry N. Abrams, _c2004
300			_a142 p. : _bil., fot. col. y n. ; _c30 cm.
505	0		_aHe has seen "it" / Lisa Phillips -- Everything always looks good through here! John Waters and photography / Marvin Heiferman -- Waterworks / Gary Indiana -- Looking for art in all the wrong places : John Water's surrogate drawings / Brenda Richardson -- Interview with John Waters / Todd Solondz.
520			_aDuring the past forty years, film director John Waters - once crowned "The Pope of Trash" by William Burroughs and now hailed as the genius behind Broadway's smash-hit musical Hairspray - has moved from the margins of culture to the mainstream. Ever subversive and happy to raise the issues that polite society works hard to suppress, Waters has helped to liberate us from social restrictions and norms. In that process, he has created hilarious and provocative filmed entertainment. And since he picked up a still camera more than ten years ago, he has reinvented himself as a visual artist. Scrutinizing videotapes of over-the-top Hollywood movies and forgotten art films that had long obsessed, amused, and fascinated him, Waters started to photograph video stills off his television screen. The moments that he captured became the raw material for artworks that Waters began to call his "little movies." In these photographic sequences, Waters continues to skewer cultural symbols and stereotypes, and to elaborate on the cultural and subcultural themes that have been central to all his work: race, sex, sanctimony, glamour, class, family politics, celebrity, religion, the media, and the allure of crime. John Waters : Change of Life, published on the occasion of Waters's first major exhibition, presents a survey of his still photographic works and stills from his earliest and seldom seen no-budget films: Hag in a Black Leather Jacket, Roman Candles, and Eat Your Makeup. The book also includes images of objects from Water's personal collection that reflect his ongoing fascination with photographic imagery, the mass media, and some of the more outrageous expressions of American popular culture. Accompanying these artworks, film stills, and quirky images are contributions by cultural and art historians that zero in on Waters's cinematic mind and photographic eye, and on surprising artworks that speak for themselves in more subtle and complex ways than might ever be expected.
585			_aCatálogo de la exposición homónima celebrada en New Museum Contemporary Art (Nueva York), del 8 de febrero al 18 de abril de 2004.
600	1	4	_aWaters, John _958409
650		4	_aCine _91712
650		4	_aFotografía _925678
650		4	_aCatálogos de exposiciones _958707
700	1		_aHeiferman, Marvin _9101581
700	1		_aPhillips, Lisa _9101582
700	1		_aIndiana, Gary _9101583
700	1		_aRichardson, Brenda _9101584
700	1		_aSolondz, Todd _958330
942			_2udc _cLBA