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_c129045 _d129449 |
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| 001 | 129045 | ||
| 003 | ES-MaFOS | ||
| 005 | 20240903194241.0 | ||
| 007 | ta | ||
| 008 | 240903s2000 gw ao erbi 001 0dger d | ||
| 020 | _a3-88814-936-3 | ||
| 020 | _a3-88814-177-X | ||
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_aBUPV. _bspa _dES-MaFOS |
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| 041 | 1 |
_ager _aeng |
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| 080 | _a77 Esser, Elger | ||
| 100 | 1 |
_aEsser, Elger _9101379 |
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| 245 | 1 | 0 |
_aElger Esser : _bveduten und landschaften = vedutas and landscapes, 1996-2000 / _c[mit einem text von Rupert Pfab und einem gespräch zwischen Elger Esser und Georg Elben = with an essay by Rupert Pfab and a conversation between Elger Esser and Georg Elben] |
| 260 |
_aMünchen : _bSchirmer/Mosel ; _c2000 |
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| 300 |
_a131 p. : _bfot. col. ; _c29 x 34 cm. |
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| 520 | _aElger Esser produces photographic vedutas of land-scapes and buildings that exude the tranquility and romantic spirit of the early 19th century. His photos of the sea, marshlands, rivers, or city panoramas would seem likewise to originate in that century, if it was not for the fact that they are quite definitely taken in color, a medium in which Elger Esser feels at home. The pale, almost faded hues that Esser aspires to create attract us as if they were some vague memory, acting like a nostalgic magnet pulling us back into a past that always remains remote. Yet Esser’s pictures are the product of the last few years, they are without doubt highly contemporary. It is hard to say which era it is that they depict. We are proud to present the long-awaited reprint of Elger Esser’s first book that has sparked many a debate on the aesthetics of photography. | ||
| 546 | _aTextos en alemán e inglés. | ||
| 600 | 1 | 4 |
_aEsser, Elger _9101379 |
| 650 | 4 |
_aFotografía _925678 |
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| 650 | 4 |
_aPaisajes _924526 |
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| 650 | 4 |
_aEspacios urbanos _94002 |
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| 700 | 1 |
_aPfab, Rupert _9101380 |
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| 700 | 1 |
_aElben, Georg _9101381 |
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| 942 |
_2udc _cLBA |
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