| 000 | nam a22 7a 4500 | ||
|---|---|---|---|
| 999 |
_c128844 _d129248 |
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| 001 | 128844 | ||
| 003 | ES-MaFOS | ||
| 005 | 20240719002840.0 | ||
| 007 | ta | ||
| 008 | 240718s2014 us erib 001 edeng d | ||
| 020 | _a978-0-231-15951-7 | ||
| 040 | _aES-MaFOS | ||
| 080 | _a82.09 | ||
| 100 | 1 |
_aNgũgĩ wa Thiong’o _987158 |
|
| 245 | 1 | 0 |
_aGlobaletics : _btheory and the politics of knowing / _cNgũgĩ wa Thiong’o |
| 260 |
_aNueva York : _bColumbia University Press, _c2014 |
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| 300 |
_aXI, 104 p. ; _c22 cm. |
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| 490 | 0 | _aThe Wellek library lectures in critical theory | |
| 520 | _aIn this volume, Ngũgĩ wa Thiong’o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to “decolonize the mind.” Ngũgĩ confronts the politics of language in African writing; the problem of linguistic imperialism and literature’s ability to resist it; the difficult balance between orality, or “orature,” and writing, or “literature”; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose. | ||
| 650 | 4 |
_925502 _aCrítica literaria |
|
| 650 | 4 |
_aTeoría del conocimiento _929011 |
|
| 650 | 4 |
_999890 _aLiteratura afro |
|
| 650 | 4 |
_91885 _aColonialismo |
|
| 942 |
_2udc _cLBA |
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