000			nam a22 7a 4500
999			_c126936 _d127340
001			126936
003			ES-MaFOS
007			ta
008			230509s2023 ne a ee b ng01 eng d
020			_a978-94-93246-15-7
040			_aES-MaFOS
080			_a7.01:730
100	1		_999360 _aAlphen, Ernst van
245	1	0	_aSeven logics of sculpture : _bencountering objects through the senses / _c[Ernst van Alphen]
260			_aAmsterdam : _bValiz, _c2023
300			_a251 p. : _bil. ; _c24 cm.
490	0		_aVis-à- vis
520			_aSculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. This book explores ‘seven logics’ of sculpture―not as a historical overview, but with a contemporary analytical approach, drawing from literature, philosophy, psycho-analysis, architecture, and mundane daily culture―that help understand specific manifestations of sculpture and the active perception by the viewer. It relates to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. "Seven Logics of Sculpture" opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art’s experience; how sculpture can be shaped, assembled, encountered, seen and embodied.
650		4	_aArte contemporáneo _9714
650		4	_93993 _aEscultura
650	0	0	_aTeoría del arte _952600
942			_2udc _cLBA